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The film is framed given that the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mixture of cruel reserve and vigorous physicality through the great Denis Lavant). Loosely determined by Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use of your Benjamin Britten opera that was likewise motivated by Melville’s work, as excerpts from Britten’s opus take on the haunting, nightmarish quality as they’re played over the unsparing training exercises to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing from the desert with their arms in the air and their eyes closed as if communing with a higher power, or continuously smashing their bodies against one particular another inside a series of violent embraces.

is about working-class gay youths coming together in South East London amid a backdrop of boozy, toxic masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit score for introducing a younger generation into the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.

It’s easy being cynical about the meaning (or absence thereof) of life when your task involves chronicling — on an annual foundation, no less — if a large rodent sees his shadow in a splashy event placed on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is determined by grim chance) and execution (sounds bad enough for one day, but what said day was the only working day of your life?

Prepared with an intoxicating candor for sorrow and humor, from the moment it begins to its heart-rending resolution, “All About My Mother” would be the movie that cemented its director as an international force, and it remains one of the most affecting things he’s ever made. —CA

This stunning musical biopic of music and vogue icon Elton John is among our favorites. They don't shy away from showing gay sex like many other similar films, along with the songs and performances are all top rated notch.

The best from the bunch is “Last Days of Disco,” starring Chloe Sevigny and Kate Beckinsale as two modern grads handjob working as junior associates at a publishing house (how romantic to think that was ever seen as such an aspirational career).

There He's dismayed by the state on the country and also the decay of his once-beloved national cinema. His preferred career — and his endearing instance on the importance of film — is largely achieved with bemusement by aged friends and relatives. 

She grew up observing her acclaimed filmmaker father Mohsen Makhmalbaf as he directed and edited his work, and he is credited alongside his daughter being a co-writer on her glorious debut, “The Apple.”

1 night, the good Dr. Invoice Harford is the same toothy and assured Tom Cruise who’d become the face of Hollywood itself while in the ’90s. The next, he’s fighting british porn back flop sweat as he gets lost inside the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers as well as sinister ultra-rich they serve (masters in the universe who’ve fetishized their role within our plutocracy to your point where they can’t even rymjob tara holiday tossing a salad rimjob throw an easy orgy without turning it into a semi-ridiculous “Slumber No More,” or get themselves off without putting the worry of God into an uninvited guest).

this fantastical take on Elton John’s story doesn’t straight-clean its subject’s sex life. Pair it with 1998’s Velvet Goldmine

Kyler protests at first, transgender porn but after a little fondling and a little persuasion, she gives in to temptation and gets inappropriate within the most naughty way with Nicky! This sure can be a vacation they gained’t easily forget!

Take note; To make it straightforward; I am going to just call BL, even if it would be more correct to say; stories about guys who're attracted to guys. "Gay theme" and BL are two different things.

Rivette was the most narratively elusive in the French filmmakers who rose up with the New Wave. He played with time and long-form storytelling from the 13-hour “Out one: Noli me tangere” and showed his extraordinary affinity for women’s stories in “Celine and Julie Go Boating,” one of the most purely enjoyment movies with the ‘70s. An affinity for conspiracy, of detecting some mysterious plot from the margins, suffuses his work.

Time seems to have stood still in this place with its black-and-white Tv set established and rotary phone, a couple of lonely pumpjacks groaning outside giving the only noise or movement for miles. (A “Make America Great Again” sticker to the back of the beat-up car or truck is vaguely amusing but seems gratuitous, and it shakes us from the film’s foggy amateur porn temper.)

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